Sixty Women, Two Unknown Men
Ten minutes on footThe most photographed façade in Cannes has carried sixty portrait bas-reliefs for a century. Nobody who works there has noticed.
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A village above Grasse, with a view of Corsica and a higher concentration of Nobel laureates than Stockholm manages on the tenth of December.
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A closed river, a dying daughter, and the man who never meant to stay.
Read onWhere the road east stops being a means and becomes the point of the day.
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A Roman road down to the river, a chapel nobody locks, and a bridge that changes its name depending on which bank you are standing on.
Read onLe Chat Noble, where the kitchen is younger than the masonry by six centuries.
Read onThe most photographed façade in Cannes has carried sixty portrait bas-reliefs for a century. Nobody who works there has noticed.
Read onFifteen years in Cabris, told through one terrace and the man who kept coming back to it.
Read onThe coffee, the market, the climb to the view — in that order, and slowly.
Read onEverything published, newest first · the archive is the contents page
Lives and PlacesCabris Keeps It to ItselfCorsica on the horizon, three Nobel laureates at one café table, and not a plaque between them.
25 Aug 2026 Lives and PlacesSixty Women, Two Unknown MenThe Carlton's third floor, unread for a century.
28 May 2026 Worth the EffortTwo Names, One Bridge and a Chapel in the WoodsA bridge that changes its name depending on which bank you are standing on.
14 May 2026 Walls and StonesThe House Gide RentedFifteen years in Cabris, told through one terrace.
30 Apr 2026 Bread and WineDinner Inside the WallLe Chat Noble, within its medieval masonry.
16 Apr 2026 The Slow HoursAn Hour at Cours Saleya, Properly SpentThe coffee, the market, the climb — in that order.
02 Apr 2026 The Long WayLeaving the Autostrada at SavonaThe road east, taken as the point.
19 Mar 2026We walk every day through a world nobody has told. The most photographed building in this city has carried sixty faces for a century, and no one who works there has ever looked up. Foolscap exists for the looking up — why we do what we do, in one essay.
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