Cabris on its ridge at first light, the valley below filled with cloud
Lives and Places

Cabris Keeps It to Itself

30 min by car from Cannes

A village above Grasse, with a view of Corsica and a higher concentration of Nobel laureates than Stockholm manages on the tenth of December.

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The statue of Lord Brougham on the Allées de la Liberté
Lives and Places 27 August 2026

The Accident That Made Cannes

Five minutes on foot

A closed river, a dying daughter, and the man who never meant to stay.

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The Long Way 19 March 2026

Leaving the Autostrada at Savona

2 hr 10 by car

Where the road east stops being a means and becomes the point of the day.

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The medieval bridge over the Siagne, its arch reflected in green water
Worth the Effort 30 August 2026

Two Names, One Bridge and a Chapel in the Woods

40 min by car

A Roman road down to the river, a chapel nobody locks, and a bridge that changes its name depending on which bank you are standing on.

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Bread and Wine 16 April 2026

Dinner Inside the Wall

25 min by car

Le Chat Noble, where the kitchen is younger than the masonry by six centuries.

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Contents

Everything published, newest first · the archive is the contents page

Lives and PlacesCabris Keeps It to Itself

Corsica on the horizon, three Nobel laureates at one café table, and not a plaque between them.

25 Aug 2026
Lives and PlacesSixty Women, Two Unknown Men

The Carlton's third floor, unread for a century.

28 May 2026
Worth the EffortTwo Names, One Bridge and a Chapel in the Woods

A bridge that changes its name depending on which bank you are standing on.

14 May 2026
Walls and StonesThe House Gide Rented

Fifteen years in Cabris, told through one terrace.

30 Apr 2026
Bread and WineDinner Inside the Wall

Le Chat Noble, within its medieval masonry.

16 Apr 2026
The Slow HoursAn Hour at Cours Saleya, Properly Spent

The coffee, the market, the climb — in that order.

02 Apr 2026
The Long WayLeaving the Autostrada at Savona

The road east, taken as the point.

19 Mar 2026

Founder's words

The Untold World

We walk every day through a world nobody has told. The most photographed building in this city has carried sixty faces for a century, and no one who works there has ever looked up. Foolscap exists for the looking up — why we do what we do, in one essay.

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